About SNAFU, nonprofit performing arts company.

SNAFU We create temporary communities, and envision possible utopias.

Who is SNAFU?

Our live shows play with human connection– how do we belong to each other? How do we find our place in the natural world?  Envisioning possible futures, animal-human hybrids, the miraculous meatbag that is the human body, and weird art. Ephemeral and tactile. We flirt with taboos.

We create temporary communities and  envision possible utopias.

SNAFU aims to celebrate and value all artists by redefining the role of Artist as a community connector, world-inventor, and sometimes, playful provocateur.

Explore our shows

Ingrid and Kathleen by photographer  Helene Cyr.

Co-Artistic Producers Kathleen Greenfield and Ingrid Hansen have been creating shows together since 2006, including projects in prisons, parking garages, parks, and theatres ranging from 40 to 1400 seats. SNAFU’s spectacles have been presented by the Festival Mondial des Théâtres de Marionnettes (the largest puppet festival in the world Charleville, France), the Lincoln Arts Centre in New York, Canada’s National Arts Centre, Festival Casteliers (Montréal), the Chuncheon Puppet Festival (Korea), and many others. 

Les coproductrices artistiques Kathleen Greenfield et Ingrid Hansen créent ensemble des spectacles depuis 2006, notamment dans des prisons, des parkings, des parcs et des théâtres pouvant accueillir de 40 à 1 400 personnes.  Les spectacles de SNAFU ont été présentés au le Festival Mondial des Théâtres de Marionnettes (Charleville, France), au Lincoln Arts Centre à New York, national des arts (Canada), au Great Canadian Theatre Centre (Ottawa), au festival Casteliers (Montréal), au festival de marionnettes de Chuncheon (Korea), et dans plusieurs autres lieux. 

Contact Ingrid and Kathleen

SNAFU’s mission statement

MISSION:
SNAFU creates unexpected spectacles for audiences who don’t normally go see live theatre.

VISION: 
To create challenging, meaningful, fiery and free artistic spaces that shed light, share space, celebrate all bodies, and cultivate delight.

CORE VALUES:

  • embodied creation through action & active experimentation

  • unprecedented and unprecious approach to creation: rough and ready, ramshackle, raw

  • weaving stories, weaving mediums, and people

  • embrace the forgotten/invisible communities

  • giving the audience an active role in the action as it unfolds

​SNAFU’s work invigorates people of all ages, creating dynamic spaces for young and old to experience art together under new terms.  Our creative collaborations connect multi-disciplinary artists in theatre, storytelling, puppetry, dance, live music, circus, and visual art.  We create unexpected spectacles in unusual spaces, including bike trails, public washrooms, theatres, art galleries, fields, heritage sites, parking garages, schools and prisons.

SNAFU targets audiences who do not normally go to watch live theatre.  Spectators are invited to have an active role in the action as it unfolds. We work with dynamic visual storytelling with a low-fi, Do-it-yourself aesthetic using repurposed, recycled and found materials as often as possible.   Everyone involved in the process is invited to throw ideas into the pot, including stage managers, visiting artists, neighbors, or passers-by.  We continually seek feedback from our audiences and other artists and mentors across Canada.

SNAFU Company Mandate

The purposes of the society are:

  • To educate and increase the public's understanding of the arts by providing original live theatre performances in public spaces, schools, community centres, educational institutions and government institutions across Canada and by providing seminars and workshops on topics relating to such performances.

  • To provide instructional seminars and workshops related to collective creation and physical theatre.

  • To foster an open-hearted, anti-oppressive and queer-positive working environment for its members.

  • To create work that sheds light on situations where people are marginalized, oppressed, ignored or forgotten.

  • To attract and develop the interest of a wide and diverse audience.

  • To craft and promote exciting visual design with a low ecological footprint.

SNAFU Company History

Pic of audience at the end of Epidermis Circus live at the Lincoln Centre NYC, caught by photographer Shelby Antel

  • Mid-Career Artist Award from the The ProArt jury for the Greater Victoria Regional Arts Awards - Kathleen Greenfield
    Most Outstanding Overall Production - Ottawa Fringe 2023 - The Merkin Sisters
    Hold Over Award - Edmonton Fringe 2022 - Epidermis Circus
    Favourite Solo Show, Victoria Fringe 2017 - Interstellar Elder
    Best Performance, Victoria Fringe 2017 - Interstellar Elder
    Favourite Show Design - Runner Up, Victoria Fringe 2017 - Interstellar Elder
    Favourite Movement/Physical Theatre - Runner Up, Victoria Fringe 2017 - Interstellar Elder
    Favourite Original New Work - Runner Up, Victoria Fringe 2017 - Interstellar Elder
    Pick-of-The-Fringe – Runner Up, Victoria Fringe 2017 - Interstellar Elder
    Top picks for 2017, Vancouver’s Two Cents & Two Pence - Interstellar Elder
    Nominated for Best Solo Performance of 2017 - My Entertainment World Critic’s Pick - Interstellar Elder
    Best Ensemble - Victoria Fringe 2015 - Lieutenant Nun
    Best Drama - Victoria Fringe 2015 - Lieutenant Nun
    Pick of The Fringe - Victoria Fringe 2015 - Lieutenant Nun
    New Play Prize - Playwrights Theatre Centre & Vancouver Fringe - Kitt & Jane
    Best New Play - Victoria’s Critic’s Choice Awards 2012 - Kitt & Jane
    Most Outstanding Overall Production - Ottawa Fringe 2012 - Little Orange Man
    Pick-of-the-Fringe Hold Over - Vancouver 2011- Little Orange Man
    Volunteer’s Choice Award – Vancouver Fringe 2011- Little Orange Man
    Vancouver Playhouse Award – Vancouver Fringe 2011- Little Orange Man
    Pick-of-the-Fringe - Victoria 2011 - Little Orange Man
    Victoria Critic’s Choice Award – Best Fringe Show 2009 – Pretty Little Instincts
    Victoria’s Favourite Choreographer - Monday Magazine Award – Ingrid Hansen
    Best Dance/Physical Show – Victoria Fringe 2009 – Pretty Little Instincts
    Most Innovative Show – Victoria Fringe 2009 – Pretty Little Instincts
    Pick-of-the-Fringe Best Dance/Physical Show – Victoria Fringe 2007 - BLiNK
    Victoria’s Favourite Dance Piece of 2007 Monday Magazine Award - BLiNK

SNAFU Artists

SNAFU or the SNAFU Society of Unexpected Spectacles, is a non-profit performing arts society led by renegade theatre artists Kathleen Greenfield and Ingrid Hansen, joined by a rotating team of other glorious weirdos as each project requires. Check out the biographies of each show’s team of artists on each show’s page.  

  • Kathleen Greenfield

    Co-Artistic Producer of SNAFU

    About Kathleen +


    Kathleen (they/she) lives, collaborates and creates new work on the unceded territory of the Lək̓ʷəŋən (Songhees and Esquimalt) and W̱SÁNEĆ peoples. Kathleen’s interests and experience are in site-specific outdoor performance, shadow and object puppetry, clown, ritual and collaborative creation. Kathleen has a BFA in Theatre from the University of Victoria and studied at the Banff Puppet Theatre Intensive in 2012. In 2024 Kathleen was awarded the Pro-Art Alliance Mid-Career Artist Award for their contributions to the regional arts community in Victoria.

    In 2013, Kathleen joined SNAFU as Co-Artistic Producer. They have directed three giant roving park shows: Lieutenant Nun in 2015 (co-directed with Mercedes Batiz-Benet, Puente Theatre) New Earth Bandits (2023) and New Earth Bandits 2  (2025). Kathleen has directed the premiere productions of Calling Home: Stories from Military Families (SNAFU, Belfry Incubator), Little Orange Man, Kitt & Jane and Interstellar Elder (SNAFU). 

    In the summer of 2018, Kathleen directed  a rotating double cast of twenty teen performers in a site-specific performance of Concord Floral by Jordan Tannahill. This play was staged in an abandoned Department Store in Downtown Victoria and produced by SKAM. 

    Kathleen joined the artistic team at William Head Prison in 2013 as a facilitator, workshop leader, assistant director, projection designer, writer and performer for Time Waits for No One: A Prison Play (2014) and HERE: A Captive Odyssey (2015) and The Crossroads: A Prison Cabaret alongside a team of incarcerated participants and outside artists. Kathleen led WHoS participants in the creation of  Sleeping Giants (2016) and The Emerald City Project (2019). Kathleen facilitated, recorded & edited the Dark Traveller Prison Podcast in 2020/2021 during pandemic lockdown. 

    Kathleen has training in Bouffon and clown with Michael Kennard (Mump & Smoot) and Britt Small (Atomic Vaudeville). She performs mind-bending clown rituals on stage with Atomic Vaudeville, and is currently developing a new solo clown show with SNAFU titled, Middle Child.

    Kathleen is passionate about supporting artists who are driven to create and produce their own work. They’ve built plays with kids ranging from age 3 to 18, artists with disabilities at Garth Homer Society and WHoS prison theatre alumni-on-parole. Kathleen currently teaches creative development and grant writing to emerging artists at Canadian College of Performing Arts. Kathleen is also Co-Leader of Atomic Vaudeville where they mentor new creators & producers.

    * Photo of Kathleen by photographer Hélène Cyr

  • Ingrid Hansen

    Co-Artistic Producer of SNAFU

    About Ingrid +


    (She/Her) Raised by gregarious Danish immigrants, Ingrid loves climbing trees, laughing too loud, and talking to strangers. In 2006 she co-founded SNAFU to create unexpected theatre, dance, and puppet theatre. With SNAFU, Ingrid has co-authored and co-produced 21 live shows. Her most recent shows Epidermis Circus and The Baby Tyler Show (co-created by Britt Small,)have been presented by international festivals in Korea, Mexico, France, Belgium, by the Lincoln Centre, and David Byrne’s variety show in New York City.

    Ingrid is a puppeteer, director, and choreographer. Ingrid puppeteered and choreographed for Sesame workshop’s Emmy-Award-Winning series Helpsters for AppleTV+.  She puppeteered on two seasons of The Jim Henson Company's Emmy-Award-Winning series Fraggle Rock: Back to the Rock, playing the Monstrous Matriarch ‘Ma Gorg,’ ‘Lanford,’ ‘Run and Jump,’ and ‘Lil Rago.’ For Miss Persona, Ingrid puppeteers Melissa the Dog. She directed several Miss Persona music videos, including one with Canadian TV legend Fred Penner. She also puppeteered on four seasons of Tiga Talk (APTN), and Fargo (Season 5.) 

    For the past 12 years, Ingrid has been collaborating with the prisoners at William Head on Stage, the only prison theatre company in Canada that performs for the public. 

    Ingrid's teaching style is playful and physical, with an emphasis on creating space for exploration and teamwork. She has taught at Humber College, the Canadian College of Performing Arts, The Magnetic North Theatre Festival, the Toronto School of Puppetry, the Victoria Youth Justice Centre, Grand Valley Institution for Women, and has been an artist in the classroom at elementary schools across Canada.

    Hansen earned her BFA in Theatre at the University of Victoria, and studied clown with Sue Morrison and Michael Kennard. She trained in Viewpoints and Suzuki with the SITI Company in New York, and took the Old Trout Banff National Arts Centre Puppetry Intensive.  

    Puppetry and Voice Acting Demos at www.ingi.ca  @iamingridhansen


    *Photo of Ingrid being totally normal by photographer Hélène Cyr

Founding Artists

  • Victor Dolhai

    Founding Artist

    About Victor +


    Originally hailing from Victoria, B.C., Victor Dolhai is a Canadian award-winning actor with over 20 years of professional theatre experience, and an increasing presence in film, television, voiceover and puppetry. His critically acclaimed stage work has been seen across Canada, most notably in three seasons at the world-renowned Stratford Festival, and three seasons at western Canada's largest Shakespeare Festival Bard on the Beach.  

    He made his film festival debut at the Toronto International Film Festival in Harry Cepka's Raf. Selected television credits include appearances in Elle (Amazon), Tracker (CBS), The Hunting Party (NBC), Siren (Freeform), Supernatural (CW), and ReBoot: The Guardian Code (YTV).  

    His on screen puppetry work can be seen in Lost Ollie (Netflix), Goosebumps (Disney+) and Pika Creek, while his voice work can be heard in various commercials, public service announcements, and as the character of Yeti in the videogame Flash Party. 

    He is a graduate of the Stratford Festival's Birmingham Conservatory, and the University of Victoria, and is a proud founding member of SNAFU.

  • Ingrid Hansen

    Founding Artist

    About Ingrid +


    (She/Her) Raised by gregarious Danish immigrants, Ingrid loves climbing trees, laughing too loud, and talking to strangers. In 2006 she co-founded SNAFU to create unexpected theatre, dance, and puppet theatre.  Ingrid is fascinated with ways of creating temporary communities out of groups of strangers. She likes to push polite Canadian boundaries with great mutual respect and humour. Her favourite performances invite the audience to participate in an unexpected way.   ​

  • Sarah Jane Pelzer

    Founding Artist

    About Jane +


    Sarah Jane Pelzer is a Canadian stage director and teacher based in Vancouver, BC.  She has directed and assisted and taught across Canada at Edmonton and Manitoba Opera, Opera on the Avalon, Pacific Opera Victoria, the Victoria Conservatory of Music and Vancouver Opera. Upcoming she will join the guest lecturer roster at the VSO school of music.

    Favourite projects include Dido and Aeneas and an original adaptation of The Fairy Queen for the VCM and Pauline Viardot’s Cendrillon at Vancouver Opera. 

    Prior to her transition to directing and teaching, Ms. Pelzer was a performer and theatre-maker most known for originating the role of Jane Doe in Atomic Vaudeville’s international award-winning musical Ride the Cyclone and as co-founder of SNAFU.

SNAFU Board of Directors

We luv our board.

  • Board Director

    Kris Atwood

    About Kris +


    Kris Atwood is an applied sociologist whose research focuses on the ways in which technological choices shape and are shaped by social practices and relationships. She received her PhD from the University of Calgary in 2014 and, in keeping with her belief that knowledge translation should not be limited to scholarly production, worked intensively with SNAFU to co-create a theatrical production of her doctoral dissertation, which was performed in Victoria in 2019. Kris is a writer, quilter, photographer, and painter who undertakes health communications technology projects with physicians in her professional life. She lives in Fernwood with her husband and three lizards. Kris is grateful for the opportunity to give back to SNAFU by serving on the Board.

  • Board President

    Mercedes Bátiz-Benét

    About Mercedes +

    ​Mercedes Bátiz-Benét is a multi-disciplinary artist, writer, and award-winning director. She was born and raised in Mexico and in 1997 she moved to Canada. She holds a BFA in Creative Writing in both poetry and drama, and a BA Honours in Philosophy from the University of Victoria, as well as a Diploma in Film Production from the Pacific Film & New Media Academy. Productions of her work include Faust: Ignis Fatuus (FaustFest International Festival), Shining Through,El Jinete - A Mariachi Opera, Cruel Tears/Lágrimas Crueles, a Puente/Blue Bridge Repertory Theatre co-production, and as co-writer, The Umbrella, The Secret Sorrow of Hatchet Jack Macphee for The Caravan Farm Theatre, The Erotic Anguish of Don Juanwith the Old Trout Puppet Workshop, and Puente Theatre’s Gruff. In 2014, Mercedes won the Canadian Stage Award for Direction at the SummerWorks Festival with her play El Jinete - A Mariachi Opera, and in February of 2015 she was chosen as the Distinguished Alumna of the Faculty of Fine Arts at the University of Victoria.She is the poetry, fiction, and non-fiction editor at Bayeux Arts, and the artistic director of Puente Theatre. 

    www.puentetheatre.ca  ​

  • Board Director

    Erin Crowley

    About Erin +

    Erin spent her previous life working as a Stage Manager in Saskatchewan and British Columbia. Much of that time was spent taking the ‘show on the road’ with numerous children’s productions. After moving to Victoria, she learned the ropes of arts administration, finding out she had an affinity for numbers, budgets and spread sheets with Theatre SKAM. In 2015, Erin joined the Prison Arts Collective and William Head on Stage as a volunteer, Stage Management mentor and eventually a mentor in board governance. Her experience at William Head inspired her to make a change and in the fall of 2018 she completed a BA in Justice Studies from Royal Roads University. She is now an aspiring Policy Analyst and works in the admin team of Policy and Legislation for the Ministry of Children and Family Development. She is the proud mom of a beautiful girl named Maeve and a wily kitten named Oliver. Erin, Maeve, Oliver and Erin’s husband Rob live on a beautiful property in North Saanich overlooking the Haro Strait. Erin is pleased to remain part of the Victoria theatre community by supporting local arts and serving on SNAFU’s Board of Directors.

  • Board Director

    Grahame Merke 

    About Grahame +

    ​*Grahame is not a cat. 

    Grahame Merke studied Theatre and English at the University of Winnipeg, graduating with a Bachelor of Arts (Honours).  He also holds a Juris Doctor from the University of Victoria.  After graduating from the U of W, he worked as an actor for various professional theatre companies, including touring productions to Scotland with Winnipeg's Prairie Theatre Exchange and to Australia, New Zealand and across Canada with Toronto's Native Earth Performing Arts.  He has also produced and directed several theatre productions in Winnipeg.  He loves Shakespeare and is a proud supporter of the arts.

  • Board Director

    Sarah Jane Pelzer

    About Jane +

    Sarah Jane Pelzer is a Canadian stage director and teacher based in Vancouver, BC.  She has directed and assisted and taught across Canada at Edmonton and Manitoba Opera, Opera on the Avalon, Pacific Opera Victoria, the Victoria Conservatory of Music and Vancouver Opera. Upcoming she will join the guest lecturer roster at the VSO school of music.

    Favourite projects include Dido and Aeneas and an original adaptation of The Fairy Queen for the VCM and Pauline Viardot’s Cendrillon at Vancouver Opera. 

    Prior to her transition to directing and teaching, Ms. Pelzer was a performer and theatre-maker most known for originating the role of Jane Doe in Atomic Vaudeville’s international award-winning musical Ride the Cyclone. 

    www.sarahjanepelzer.com

  • Board Director

    Ren Sirdiak

    About Ren +

    Ren Sirdiak is a young citizen of Victoria BC with a heart for the arts. Ren has been kicking around Victoria's theatre scene for the past few years and is now very honoured to be welcomed aboard the SNAFU board.

Photo by Helene Cyr